Zoekresultaten
Resultaat 1 - 5 (van 5)
Orpheus Institute Experimental encounters in music and beyond
Multidisciplinary analysis of experimentalism in music and the wider arts today Experimental Encounters in Music and Beyond opens a necessary dialogue on experimental practices in the arts and negotiates their place in contemporary society. Going beyond the music-historical usage of the term "experimental", this book reimagines experimentation as an open working definition encompassing multiple forms of artistic attitudes and processes. The texts, images, and sounds offer multiple traces, faces,...
Non-fictie
Engels | 212 pagina's (PDF, 3,4 MB) | Leuven University Press, Leuven | 2018
E-book
Orpheus Institute Ohne Worte
vocality and instrumentality in 19th-century music
The musical thought and practice of canonical composers. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought...
Non-fictie
Engels | 230 pagina's (PDF, 10 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
(Dis)embodying myths in Ancien Régime opera
multidisciplinary perspectives
The role of mythology in Ancien Régime opera. Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per musica and French tragédie en...
Non-fictie
Engels | 184 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Ewald Demeyere Johann Sebastian Bach's art of fugue
performance practice based on German eighteenth-century theory
Analyse en achtergrondinformatie bij 'Kunst der Fuge' van J.S. Bach (BWV 1080), ten behoeve van de uitvoeringspraktijk, gebaseerd op Duitse theorieën uit de 18de eeuw.
Non-fictie
Engels | 254 pagina's (PDF, 4,1 MB) | Leuven University Press, Leuven | 2017
E-book
Luc Rombouts Singing bronze
a history of carillon music
Geschiedenis van het klokkenspel.
Non-fictie
Engels | 369 pagina's (PDF, 8,9 MB) | Lipsius Leuven, Leuven | 2017
E-book