Zoekresultaten
Resultaat 161 - 180 (van 1005)
Tine Van Osselaer The pious sex
catholic constructions of masculinity and femininity in Belgium, c. 1800-1940
The construction of gender in Belgian Catholicism. Although women were called the 'pious sex' much earlier, it was during the nineteenth century, when the differences between men and women were being made more explicit, that an intense bond between women and religion was developed. Religiosity was thought to be a 'natural' part of femininity and turned religious masculinity into an oddity. This clear-cut gender ideology, however, remains an ideology (prescribed and contested) that needs to be put...
Non-fictie
Engels | 272 pagina's (PDF, 8,1 MB) | Leuven University Press, Leuven | 2017
E-book
Kadoc Sign or symptom?
exceptional corporeal phenomena in religion and medicine in the nineteenth and twentieth centuries
Religion and science on paranormal events. Described as 'the hand of God', as 'pathological' or even as 'a clever trick', exceptional corporeal phenomena such as miraculous cures, stigmata, and incorrupt corpses have triggered heated debates in the past. Depending on their definition as either 'supernatural', 'psycho-somatic' or 'fraudulent', different authorities have sought to explain these enigmatic occurrences by stimulating inquiries and claiming jurisdiction over them. As a consequence, separate...
Non-fictie
Engels | 208 pagina's (PDF, 9,8 MB) | Leuven University Press, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
Political and legal perspectives
Before the last quarter of the eighteenth century there was a generally clear and remarkably uniform pattern of church-state relationships across Europe. In the course of the nineteenth century this firm alliance between political and religious establishments broke down. Religious pluralism developed everywhere, though at different speeds, requiring church and state to reach fresh solutions. This volume Political and Legal Perspectives highlights the impact of broad political change, 'democratization',...
Non-fictie
Engels | 248 pagina's (PDF, 28 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
The transformation of the christian churches in Western Europe
1945-2000
Research continues to show that the Christian religion is gradually disappearing from the public, cultural and social spheres in Western Europe. Even on the individual level, institutionalised religion is becoming increasingly marginalised. Some scholars, however, speak of a repositioning of the Christian churches in post-modern Europe, citing new forms of religious life and community. This book focuses on the complex mutations the Christian churches in Western Europe have experienced since World...
Non-fictie
Engels | Frans | 352 pagina's (PDF, 1,4 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
Non-fictie
Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Artistic experimentation in music
an anthology
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...
Non-fictie
Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017
E-book
Sagalassos
Since 1990, the ancient city of Sagalassos in southwestern Turkey has been the focus of an interdisciplinary archaeological research project coordinated by the Katholieke Universiteit Leuven. The papers collected in this volume reveal how the meticulous systematic and interdisciplinary reconstruction of the ecology and economy of the site and its territory has enhanced our understanding of the ancient settlement and its inhabitants beyond the traditional aspects of classical archaeology in Asia Minor....
Non-fictie
Engels | 336 pagina's (PDF, 54 MB) | Leuven University Press, Leuven | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book
R. Elsen | Ignace Pollet | Patrick Develtere Compass for intercultural partnerships
a thought provoking book to deploy the integration of cultures as a source of welfare and tolerance in a glocalising world
As globalisation makes the visual distinction between North and South, East and West disappear, one definitely needs a compass. It still points to magnetic North. For the moment. This book focuses on the added value created by interculturality which is the interaction, exchange and integration between people of different cultures. The reflexions are aimed at profit and non-profit organisations who have the ambition to be enriched and strengthened by their cultural diversity. This publication states...
Non-fictie
Engels | 162 pagina's (PDF, 2,4 MB) | Leuven University Press, Leuven | 2017
E-book
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
Non-fictie
Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Kadoc Charity and social welfare
How churches in Northern Europe reinvented their role as providers of social relief. Charity is a word that fits well in the history of religion and churches, whereas the concept of social reform seems to belong more to the vocabulary of the modern welfare states. Christian charity found itself, during the long nineteenth century, within the maelstrom of social turmoil. In this context of social unrest, although charity managed to confirm its relevance, it was also subjected to fierce criticism,...
Non-fictie
Engels | 312 pagina's (PDF, 31 MB) | Leuven University Press, Leuven | 2017
E-book
Neo-Latin commentaries and the management of knowledge in the late Middle Ages and the early modern period (1400-1700)
Profound study of one of the most important genres within Humanist scholarship. Between 1400 and 1700 the political, religious, intellectual, and even geographic landscape was profoundly changed by the Reformation, Humanism, the rise of empirical science, the invention of printing technology, and the discovery of the New World. The late medieval and early modern intellectuals felt an urgent need to respond to the changes they were involved in, and to come to a revision and re-authorisation of knowledge....
Non-fictie
Engels | Duits | 540 pagina's (PDF, 59 MB) | Leuven University Press, Leuven | 2017
E-book
Music, analysis, experience
new perspectives in musical semiotics
Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well....
Non-fictie
Engels | 356 pagina's (PDF, 5,1 MB) | Leuven University Press, Leuven | 2017
E-book
Barbara Titus Recognizing music as an art form
Friedrich Th. Vischer and German music criticism, 1848-1887
The impact of Hegelian philosophy on 19th-century music criticism. Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth...
Non-fictie
Engels | 270 pagina's (PDF, 3,1 MB) | Leuven University Press, Leuven | 2017
E-book
Paulo C. Chagas Unsayable music
six reflections on musical semiotics, electroacoustic and digital music
Profound theoretical and philosophical approach to contemporary music. Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas's practical experience, both as a composer of...
Non-fictie
Engels | 300 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Piety and modernity
Third volume in the series Dynamics of Religious Reform. Piety and Modernity examines the dynamics of religious reform from the point of view of piety and devotional life between 1780 and 1920 in Britain, Ireland, Scandinavia, Germany, and the Low Countries. The 'long' nineteenth century saw the introduction of devotional organizations as a means of channeling popular religion. This era also witnessed the translation and publication of devotional books, journals, and pamphlets on a massive scale....
Non-fictie
Engels | 336 pagina's (PDF, 44 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Frieda Voorhorst Maze of mourning
In Maze of Mourning, Frieda Voorhorst describes the process of grieving after the death of her father. Her style is reflexive: in a detached way, she looks at her own emotions, thoughts and actions in retrospect. In this way, the book is contemplative without being weighty: it focusses on the dayly events in this period. The strong ties in the Voorhorst family between Frieda, her mother, her two sisters and her two brothers provide for a safe and harmonious background. Although the book concerns...
Non-fictie
Engels | 200 pagina's (ePub2, 0,9 MB) | Johannes van Kessel Publishing, Huizen | 2017
E-book
Orpheus Institute | Alessandro Cervino The practice of practising
The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas. To date, the literature on practice has been primarily pedagogical and psychological. Little attention is paid to the significance of practice,...
Non-fictie
Engels | 92 pagina's (PDF, 6,6 MB) | Leuven University Press, Leuven | 2017
E-book